From Engineer to Freelance Videographer in Japan

Tell me a bit about yourself—where you’re from, what you do now, anything you’d like to share.

I’m Sumit, from Pune, India, a city well-known for its educational institutions. I came to Japan about four years ago. My background is in mechanical engineering, but for the past two years I’ve been working as a freelance videographer and photographer. Right now, I’m not directing films yet, but I’m really interested in film direction. I’d like to create short, story-based films—around 10 to 15 minutes each, with a single storyline. I’m planning to make one this year. I have some rough ideas but no solid script yet. I’ve also been networking with a lot of people—actors, editors, and other creatives in the same field—so hopefully we can collaborate to make something great.

How did you first start making videos?

Before I did it professionally, it was just a hobby. Back in college, I was fascinated by the camera and what it could capture, but I never thought it would become my career. Later, I started creating videos, and when you watch something you’ve made, it gives you so much happiness. Seeing the finished work and knowing you made it—that’s what motivated me to keep going.

How did it go from a hobby to an actual job?

When I bought my first camera, I got the chance to shoot an event. It was organised by my brother’s friend, and he gave me the opportunity. I wasn’t sure I was ready, but I managed to get some good shots. That experience boosted my confidence and made me think, Maybe this could even be a side business. If you have the talent, why not use it? Photography is about capturing a moment in time, while videography is about creating something from scratch. You take an idea, visualise it, and tell a story. I’ve always been inspired by movies and how they’re made, so I wanted to try making my own videos. I still remember my first one—when I was at university, I lived in an apartment with classmates. I recorded lots of short clips on my phone, just for fun. One day, I compiled them and added music. It was simple, but it created a great memory for all of us.

What’s the happiest moment for you when making videos?

When you create something and people notice and appreciate it—that’s a proud moment. Even more when you see your work on big platforms or in collaboration with brands. It’s also a personal thing—when I see the visuals I imagined come to life exactly as I pictured them, that’s a special feeling. And when people connect with it, it’s even better.

And the toughest moments?

Definitely when working with tight deadlines and unfamiliar requests—like a specific editing style or animation I’ve never done before. You have to learn quickly and still deliver. It’s stressful, but you grow from it. Honestly, I stop liking about 70% of my work after some time. At first I’m satisfied, but a week later I think, What was I doing? I think a lot of creatives feel that way. Sometimes you have to compromise on quality to meet deadlines, but the important thing is to learn and improve for the next project.

What kind of place is Japan for you?

It’s beautiful. People here care deeply about detail—whether in art, work, traditions, or even nature. The food is amazing too. At first, I missed the ease of making connections like in India. But over time, I’ve adjusted and now really enjoy living here. Freelancing was my first step toward doing more of what I truly want.

Do you plan to stay in Japan long-term?

I haven’t thought about leaving. This is the start of building my career and chasing my dreams, so I see myself staying for a long time.

Why Japan and not somewhere else?

I actually considered Sweden for my master’s degree, but I’ve always been drawn to Japan—its culture, nature, and efficiency. After the 2011 earthquake, the country recovered so quickly. That level of resilience really impressed me.

Has your view of Japan changed since moving here?

In some ways it’s exactly as I imagined, but I found people here often follow a “rule book” instead of improvising, which was surprising compared to India’s jugaad culture—finding creative, low-cost solutions. It’s different, but it leads to perfection in work.

Is your life here what you expected?

More than I expected. I’ve become more focused and hardworking here. Japan showed me that if you put in the effort, things you once thought impossible can happen.

Is it harder to do that in India?

In some ways, yes—there are more distractions and things to manage. Living alone in Japan makes it easier to stay focused.

What’s next for you?

I want to keep growing in video production. Maybe I’ll start my own production house someday, or travel for projects. I’ve learned you can’t jump straight to level 10 if you’re at level 2. You need to go step-by-step and enjoy the process.

How do you reach the next level?

By doing more work, making mistakes, and learning from them. Also, take calculated risks—if you feel at least 50% confident, go for it.

Any advice for beginners?

If you believe you can do something, work hard for it, and the universe will help you. I’ve seen it happen.

How do you stay motivated?

Connect with like-minded people. Alone, it’s easy to give up, but with others, it becomes fun even when it’s hard. We grow through connections.